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Showing posts with label museum of modern art New York. Show all posts
Showing posts with label museum of modern art New York. Show all posts

Sunday, December 30, 2012

ARISTAS Y PUNTOS DE VISTAS SOBRE LA HISTORIA Y LA VIDA Y OBRA DEL ARTISTA VENEZOLANO ARMANDO REVERON-ARMANDO REVERON VENEZUELA PAINTER VIEWPOINTS MUSEUM OF MODERN ART NEW YORK CITY TO THE PRESENT. VERIFIABLE.

May 11, 2008-Caracas, Venezuela, California Norte. (c)copyright,2008, by Carlos Mijares Poyer.


Viewpoints on the History of the Life and Work of Venezuelan Artist Armando Reverón 1889-1954


     Yes, Armando Reverón, the true Venezuelan painter and artist, also a builder of his own permaculture house, of stone and mud and palms, was born in 1889.
     In his youth visited and studied art briefly in the San Fernando Art School in University Complutense of Madrid, Spain; and also meandered Paris like many, conducting himself in best manner of dress and suit and hairstyle of the time.
     Returning to Venezuela, and forming part of the artistic generation of 1918, with poets and other artists, he went to live in the province, partially putting aside social and artistic conventions.  He met russian painter Fernandov who recommended he move to La Güaira, the tropical and litoral beach or seashore area near the capital city of Caracas, Venezuela.  Later, moved to Macuto to the same instance of whiteness from the shining sun that would characterize his white over white paintings, there he built El Castillete, a small rock house he made in semblance of a primitive tropical rock castle.  There, where he lived with two monkeys Pancho & Pepé (he would place leather strapped masks on their faces, and with his companion Juanita Mota,a young woman who posed for many of his paintings and accompanied him. 
     Hence, fishermen were his friends, and in an inner and bizarre and fantastic beauty, are his life size rag- dolls which resemble turn of the century bohemian or burlesque ladies with red silk ribbons around their necks and rosy or purple made up cheeks-their eyes and mouths signaling harsh mascara; the gaze of life, and red lip-stick mouths which in their loincloth making appear to be more than real; as if murdered in life or about to stand up and walk, or even dance with Armando, the artist who cajoled their mysterium into reality of the present.

transcription to be continued...


ARMANDO REVERÓN, VENEZUELAN PAINTER OF THE LIGHT IN WHITE LIGHT

By (c)copyright 2008, Carlos Mijares Poyer-written May 12, 2008, Caracas, Venezuela.



REVERÓN


Pancho AND Pepé, his monkeys (not the accordeon man)
announce with bells the end of his painting session.
Juanita Mota, a female companion, rests her indian headdress after posing
and walks nude about the wall-less palm tree studio
bathed by the sound of ocean and breeze.

Armando Reverón steps back from the canvass nervously
going to it, at it, with determination-access of delight
sighting the poetry of its making
standing about it all almost naked.
"El Castillete", the small castle
harboring such reality
surrounded by walking swans and ducks
the loincloth rag dolls holding a quiet conversation then
now in a New York museum when trusted
-cheap models he had none-
He is brought booze and food
and aways under the arm go his paintings- a friendship
that brought him to notoriety;
his lack of interest for money and socialité.

Armando the man and artist
dwells upon sunlit clouds and Macúto beach and town
his wings over his country issuing pride
his intelligent gaze full of clarity and vision
blossoming truth and poetry in all of us

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